Shifting perspective: from simply Greening and Embellishment to enhancement of landscape identities. The M1/M2 landscape renewal is an incredible occasion for Mauritius to define a trend in terms of landscape interventions. The motorway can be turned into a vibrant infrastructure able to play different roles while reconnecting ecologies and landscapes. Mauritius showcase many different ecosystems and thus the motorways can follow and enhance such variety. The motorway can become a driver for local and global development. In our vision it will be transformed in a continuous monument that enhance cultural and natural diversity, in the form of a continuous 76-kilometres botanical garden.
Shenzhen Terraces, is a new part of the city, that will form the core of the thriving university neighbourhood in Universiade New Town, Longgang District, Shenzhen, acting as a new three-dimensional urban living room. The 101,300-square-metre, mixed-use development for the Shimao ShenKong International Centre contains more than 20 programs, including a small gallery, library, and outdoor theatre.
Shenzhen Terraces aims to bring vitality and innovation to the area through a seamless integration of landscape, leisure, commerce, and culture. Located in the heart of the Longgang district at the meeting point of high-rise housing, commercial complexes, and sports and educational facilities, the site is ideally located to serve as a defining public space within the region.
The central concept of Shenzhen Terraces is to merge the existing landscape with the new development by using stacked plateaus for its various buildings. The predominantly horizontal lines of the terraces contrast with the vertical lines of the surrounding high-rises to bring about a sense of tranquillity through their slow curving shapes.
Shenzhen is a metropolis defined by hills of lush vegetation. The topography of the city has allowed the presence of a number of ecological cores which act as islands. The design of the landscape is inspired by such green pockets, overgrown with multi-layered sub-tropical vegetation. Different pebbles compose a design that showcases and enhances local biodiversity, while offering a variety of open space programmatic opportunities.
The definition of the planting species has been led by a research aimed to re-propose the sub-tropical forest typology, bringing wild nature into the plot with several lush pockets which will contribute to make Shenzhen a city where naturare percolates, fostering a sharper encounter between the city and the wilderness.
Bringing wild nature into the plot with several lush pockets will contribute to make Shenzhen a city where naturare percolates, fostering a sharper encounter between the city and the wilderness.
Central Parks are green islands within cities, where a natural landscape contrasts with the surrounding urban setting. Such contrast -we believe- is where the quality lies and the limit between Park and City is where the transition can be more dramatically experienced. Our proposal for Central Park Kaliningrad, is an “Island in an Island”, where the insular identity of the park is maximized by digging a new canal, transforming the edge in a new rich and diverse urban experience.
Oktyabrsky island, is a partially artificial land which demanded massive investment to be realized. The project of the Park aims to be sustainable both financially and technically. The excavated land from the perimetrical canal, is reused in order to form landforms, unique symbols of the future park. The current acid soil, is diversified (by adding layers of alkaline one) in order to create a neutral and basic soils, in addition to the acid one. The resulting landscapes will follow the soil chemical composition avoiding a mere top-down, neo-pastoral approach but, rather generating a park genuinely part of the site ecosystem.
The urgency of the changing climate, alongside a new understanding of human responsibility, lead the project to be based on one of the main natural resources: soil. The varying acidity of the different layers provide the conditions for different habitats responding to the ground conditions, rather that recreating a fictitious scenography.
Our project takes the quality of the transition and multiply it by three. The transition becomes here not only a separation between city and park but, through the digging of a canal and the formation of an island, the edge becomes simultaneously city, waterfront, canal and park.
Bridges are not meant as simple infrastructures, but they are public spaces able to intercept the different target groups of Kaliningrad. The 4 main bridges (Cloud, Net, Triple, Smart) create the ground for specific social practices and recreational activities, while becoming new landmarks of accessibility.
Oktyabrsky island, is a partially artificial land which demanded massive investment to be realized. The project of the Park aims to be sustainable both financially and technically. The excavated land from the perimetrical canal, is reused in order to form a hill, unique symbol of the future park.
Located amid Lagodekhi Natural Reserve in eastern Georgia, the Tree Top Trail is meant to maximize the experience of nature, intended as -in the words of David Attenborough, “the greatest source of excitement, beauty and intellectual interest”. The trail, takes advantage of the topography in order to avoid the use of an elevator. The access point is located on a higher point of the uneven terrain and, from there, it ramps up to reach greater heights, gradually showcasing the forest as a vertical ecosystem.
Its defining circular shape, sharply contrasts with the forms of nature, avoiding any simplistic mimic; furthermore, the trail trajectory is always curving, constantly disappearing within the forest canopy, generating a desire to discover the forest, step by step.
Three main attractions are placed within the trail: a copper sphere which functions as a multimedia room for 360 degrees’ projections, a large net, for visitors to lay or play and a panoramic tower which allows a view over the forest, and integrates a half-spiral staircase to exit, as an alternative to walking back through the long ramp of the trail.
The columns of the structure are organized in clusters, abstract simplifications representing group of trees in the forest and are made from cor-ten steel. In total there are 17 column clusters that support the trail and the additional elements.
Kaliningrad is a city defined by a long and complex history: the palimpsest of the different trances of the past have been –for the most part- erased by the World War. Nevertheless, the project site is one of the few parts of the city that have survived, and is currently witness the different epochs that the city has gone through; the upper and lower pond of Teutonic’s Knights, the military defense infrastructures of the Prussians and the Soviet public park. Despite its cultural relevance, the park has been left abandoned for decades, and the historical infrastructures have turned into ruins.
“Revealing Geometries” takes shape physically and conceptually, from the fact that ruins can become –as a radical form of preservation- the matrix for a new identity, and similarly, untamed nature the matrix for a rich natural ecosystem. The recognition of the site as a form of archeological park – gives the opportunity to secure in time and space the traces of the past, transforming them into a new cultural/education infrastructure at public disposal.
While radical preservation defines the general approach, two design actions are re-defining the park(s): (1) retracing the former path system of the Prussian’s Wallpromeade and (2) defining new geometries that can enhance the rich cultural/environmental context of the area while hosting new programmatic opportunities.
The geometrical spatial definition of the “devices” -responding to the military defense infrastructure and Prussian landscape gardening design language- overlaps with the parks in seven different locations. They are as intensive design interventions centered around the main features of the site (water, ruins, topography, etc.); they are program-less objects that create the conditions for temporary occupation, while permanently highlighting the cultural and environmental diversity of the park, and more broadly, of the ring to-come.
The park is in-fact a system of 2 parks defined by autonomous identities: Kashtanovy Park and Litovsky Park, tight together by a comprehensive strategy. It bears the potential of rethinking the former ring as a whole: a new infrastructure that can host social and ecological interaction, while bringing back the historical layers as evidences to pass-on to future generations.
The “Parco della Reggia di Rivalta” although its empty appearance, is a ground that has been occupied by several functions over time: it has been administrated by several owners, and it has gone through both splendor and decay. In the public imaginary, the park is associated with the garden realized in the first half of the 18th century –now lost- where the reference to Versailles Garden was sharp and recognizable. Yet, the site has been witnessing a number of histories and not just one.
The plurality of the past traces become main ingredients of the design, a palimpsest which doesn’t give priority only to the historical garden, but also refers to the different epochs, including its rural past and its current use as a public park.
A perimetral boulevard hosts a number of ‘design intensities’ while assuring a complete accessibility of the site. The boulevard creates a frame that defines a inner rural park: agricultural land is here rendered accessible by diagonal paths, that refer to both the enlighten landscape design principles as much as to the agricultural pattern of the region.
The park becomes a platform for several programmatic scenarios, from local ones to national or even international events. The park aims to bridge the gap between conservation and change, reinterpreting the traces of the past in a contemporary park able to respond to the local yet global identity of Reggio Emilia.
“Altitudes” is a rural strategy for the Selva Central region in Peru. The region is in a unique geographical condition, being simultaneously part of the Andes mountain range and also the Amazon river basin. The region is defined by the extensive production of coffee, around which the local economy is completely reliant. The urge for a spatial vision is enhanced by the changing climate: because of rising temperatures the agricultural landscape is a ‘migrating’ one. In-fact, producers are moving the coffee plantations uphill, whilst – in lower altitudes – former productive areas are rendered vacant and available for future scenarios. As coffee production is defined by specific geographical and environmental conditions, the study goes beyond the given site-boundaries and elaborates on a global condition: the condition of resource extraction.
The aim of ‘Altitudes’ is to reorganise a currently inefficient coffee production chain, demonstrating the touristic potential of the area, whilst creating the conditions for the region to move beyond the monoculture of coffee and its fragile single-commodity economy. The economy of coffee is extremely volatile – a condition evident in the annual glaring discontinuity of supply and demand – and this imbalance is heightened by the patterns of the changing climate.
The study aims to create the conditions for the region to move beyond the monoculture of coffee and its fragile single-commodity economy
The condition for a mix-polyculture can be created through enhancing the vertical economy of the “Selva”. Whilst the coffee shrubs are maintained as an undergrowth layer, new species can be introduced in order to increase the agro-diversity and expand agricultural export opportunities.
The coffee production chain and touristic accessibility is unfolded and re-organised. A new hierarchy is given to the distribution and processing infrastructure which is now defined in 3 steps: the producers, coffee collection facilities and the cooperatives. Furthermore, circularities are highlighted such as the production of energy from solid waste, new marketable by-products and compost to feed back to producers.
The “Theatre of Wonders” is a form of public space where the “audience” become the active part of the play, and where functions become performances. The ambition is to give a new –horizontal- landmark to Moscow celebrating its users and the vibrant life that it hosts, while aligning to the experimental tradition of Gorky Park, since the 1923 Exhibition.
Our Pushkinskaya embankment proposal, enhances the connection with Gorky Park, becoming its mineral counterpart: a space for organized and occasional events and performances of varying scales.
The “Theatre of Wonders” aims in-fact to rebalance the ratio between leisure and culture, reinforcing the latter, by re-interpreting the original principles of CPKIO (Central Park of Leisure and Culture).
On the central part of the embankment, an extended and light metal structure is located. The Frame is the infrastructure that integrates scenographic lighting typologies, creating dramatic effects in night time, while reducing the need of temporary structures for events, and therefore limiting the disruptive logistics of the assembly/disassembly.
The Frame creates a new horizontal surface where, besides the lighting, objects as art installations can be hung, giving extra space for exhibitions and products showcase.
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