We live in a planet which is globally urbanized, where cities have become metropolitan areas, where natural sites are exploited to support human lifestyle, where commodities are extracted and even the wildest areas are suffering of urbanizations effect. In this context, nature cannot be divided anymore from the artifice. The artificial is shaping the planet, influencing the climate, threatening the existence of living species. Nature is not natural, anymore.
A Geological Tale
Granite is an intrusive rock, formed by the cooling of magma, and pushed upwards, creating continents, islands, archipelagos. Man has exploited the granite, extracted in quarries has become a refined building material. Other Natures is a speculative set of devices, that position themselves within the geological history of granite. Other natures can be seen as wrinkling of the territory of La Maddalena. Intrusive –as the rock they are made of- they offer themselves to view and comprehend the unnatural landscape of the Archipelago. Devices are instruments to connect different natures: the underground, the water, the atmosphere, the outer space, the supernatural.
Geography vs Geometry
The ambiguity of the Anthropocene is here rendered with the geometrical shapes of the devices; geometries in sharp contrast with the natural forms of the landscape they are positioned in. Geometries clash with the geography of the Islands, escaping any risk of biomimetic and becoming uncompromised actions of humans.
Macro, meso, micro
The devices can be read in three different scales; a large one: the geographical scale it interferes with and the million-years’ time span it belongs to; a middle one: the refine complexity of the stone’s texture; the small one: the microscopic dimension of the granite, which is in-fact a landscape on its own, where geometries can be found. Surprisingly, it is in the smallest, where Other Natures devices can be rediscovered, becoming natural, once again.
The proportions of the devices, their geometrical simplicity, their relation with the surrounding landscape, their mineral appearance aim to create a timeless aesthetics. Some have a defined function, some are mere shapes without a function. Some are of human scale, some others are geographical traces. The devices become tools to imagine possible futures, they might attract with their appearance and repel for their dimension or intrusive positioning. They are not good nor bad, they are a product of imagination and at the same time an instrument to trigger possible imaginative scenarios.